No longer unsecure about their aesthetic sensibilities, contemporary ethnographers have expanded upon the established tradition of impressionistic and confessional fieldwork to produce works that not only stimulate the intellect, but that also delight the senses. From visual to reflexive ethnography, from narrative to arts-based inquiry, from hypertext to multimodal scholarship, and from autoethnography to performance ethnography, fieldwork has undergone a revolution in data collection practice and strategies of representation and dissemination.

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